Bell Tower of Saint Domnius in Split, showcasing its Romanesque stone architecture, arched openings, and ornate columns rising above the historic structure of Diocletian’s Palace. The pale limestone façade contrasts against a clear blue sky, highlighting one of Split’s most iconic and recognizable landmarks.

Panoramic view of Split, capturing the red-tiled rooftops of the historic old town within and around Diocletian’s Palace, the lively harbor, and the calm blue waters of the Adriatic Sea. The city’s waterfront promenade and marina stretch along the coast, framed by surrounding hills and islands, highlighting Split’s unique blend of ancient heritage, urban life, and Mediterranean landscape. goes here

A lively street-level café in the historic centre of Split, set within a traditional Mediterranean corner building featuring stone façades, green shutters, and ivy-covered balconies. The scene reflects Split’s relaxed urban lifestyle, where historic architecture and everyday city life blend seamlessly, offering inviting spaces for socializing and informal gatherings.

Photo by Josip Ivankovic on Unsplash‍

The Golden Gate (Porta Aurea) is the grand northern entrance to Diocletian’s Palace in Split. Constructed in the early 4th century during the reign of Emperor Diocletian, the gate showcases classical Roman stonework with decorative arches and niches that once held imperial statues. Today, the Golden Gate serves as a prominent landmark and a gateway between the ancient palace complex and the modern city.

A panoramic view of Split seen from a hillside viewpoint, overlooking the urban landscape, surrounding pine forests, and the rugged slopes of Mount Mosor in the background. The image highlights Split’s unique setting between the Adriatic coast and dramatic mountain terrain, offering a balance of natural surroundings and vibrant city life.

Photo by Corbett Campbell on Unsplash‍ ‍

Stone lion sculpture within Diocletian’s Palace in Split. Carved from pale limestone, the lion rests beneath an arched colonnade, accompanied by finely sculpted human figures and ornate capitals. Dating to the medieval period, this sculptural detail reflects the rich architectural layering of Split’s historic core, where Roman, Romanesque, and later influences merge into a unique urban and cultural heritage.

A view of Prokurative (Republic Square) in Split, an elegant 19th-century square inspired by Venetian architecture. Framed by arcaded buildings and wide stone steps, Prokurative serves as a vibrant public space and a popular venue for cultural events, concerts, and gatherings, reflecting Split’s blend of historic charm and lively urban atmosphere.

A view through a massive stone arch within Diocletian’s Palace in Split, revealing the bell tower of Cathedral of Saint Domnius in the background. The Roman stone masonry and later architectural layers highlight the historic evolution of the palace complex, where ancient imperial structures seamlessly merge with medieval and early Christian elements, forming the architectural heart of Split’s old town.

A view of the Hermitage of St. Jerome embedded in the limestone cliffs of Marjan Hill in Split. This historic hermitage, carved into the natural rock face and surrounded by Mediterranean vegetation, reflects the long tradition of spiritual retreat and the close relationship between architecture and nature that characterizes Split’s cultural and natural heritage.

Photo by Gurjit Sandhu on Unsplash‍ ‍

Prof. Vladimir MILOVANOVIĆ (University of Kragujevac, Serbia)

Prof. Stefan Dan PASTRAMA (University Politehnica of Bucharest, Romania)

Prof. Josef EBERHARDSTEINER (TU Wien)

Prof. Florian GRÜN (University of Leoben)

Prof. Bernhard PICHLER (TU Wien)

Prof. Lovre KRSTULOVIC-OPARA (University of Split)

Prof. Damir SEMENSKI (University Zagreb)

Assist.Prof. Zvonimir TOMIČEVIĆ (University of Zagreb)

Dr. Karel DOUBRAVA (Czech Technical University of Prague)

Prof. Radim HALAMA (Technical University of Ostrava)

Prof. Dr.-Ing. Matthias BARTHOLMAI ( Federal Institute for Materials Research and Testing)

Dr.-Ing. Thomas LEHMANN (Chemnitz University of Technology)

Prof. Stavros K. KOURKOULIS (National Technical University of Athens)

Dr. Ermioni D. PASIOU (Hellenic Ministry of Culture)

Prof. Rita KISS (Budapest University of Technology and Economics)

Assoc.Prof. Attila KOSSA (Budapest University of Technology and Economics)

Prof. Francesca COSMI (University of Trieste)

Prof. Mario GUAGLIANO (Politecnico di Milano)

Prof. Zbigniew L. KOWALEWSKI (Polish Academy of Sciences, IPPT, Warsaw)

Prof.  Pawel PYRZANOWSKI (Warsaw University of Technology)

Prof. Dan Mihai CONSTANTINESCU (University Politehnica of Bucharest)

Prof. Dr. Adrian PASCU (“Lucian Blaga” University of Sibiu)

Prof. Stefan Dan PASTRAMA (University Politehnica of Bucharest)

Prof. Nenad KOLAREVIC (University of Belgrade)

Assist.Prof. Vladimir MILOVANOVIĆ (University of Kragujevac)

Prof. Miroslav ZIVKOVIC (University of Kragujevac)

Ing. PhD František NOVY (University of Zilina)

Prof. Eva TILLOVÁ (University of Zilina)

Prof. Igor EMRI (University of Ljubljana)

Dr. Anatoly NIKONOV (University of Ljubljana)